Sunday, February 21, 2016

Podcast with Brenda Cooper

My interview with author and futurist Brenda Cooper is the second of my conversations with nominees for the 2016 Philip K. Dick Award.

Cooper’s novel Edge of Dark (Pyr, 2015) is set in a solar system where human are forced to confront a civilization they’d long ago banished: a race of super-beings who evolved from humans into cyborgs.

The idea of implanting human intelligence into an artificial body is not new. But Cooper gives it a fresh twist by making the ethics of human-robot blending the central theme of her book. The super-beings (called variously ice pirates and the Next) are returning uninvited from their banishment and, in addition to seeking access to natural resources, are offering immortality to anyone who wants it.

Cooper sees Edge of Dark as part of a conversation about the evolution of the human race. "I’m fascinated by transhumanism what we’re going to become," Cooper says. "I do think that we’re becoming something different… I’m exploring what the human soul might be about."

All six PDK-nominated authors participated in a joint podcast where they interview each other. It’s available here.

Sunday, February 7, 2016

Podcast with Douglas Lain: 'I Think Therefore I'm an Alien'

I'm planning to interview on New Books in Science Fiction all six nominees for this year's Philip K. Dick Award. First up is Douglas Lain, whose After the Saucers Landed (Night Shade Books, 2015) is set in the early 1990s, when aliens, with the theatrical sense of B-movie directors, land flying saucers on the White House lawn.

At first, the visitors seem fit for a Las Vegas chorus line; they're tall, attractive and never leave their spaceships without donning sequined jumpsuits. Even the name of their leader–Ralph Reality–is marquee-ready.

But is Reality as real as he seems?

That's the question that Lain poses for readers and his first-person narrator, Brian Johnson, who confronts the alien invasion head-on when one of the interstellar travelers assumes the identity of his wife. This propels Johnson into an examination of reality through various prisms: popular culture, science, philosophy, art, and even fiction.

A kaleidoscope of personalities, artists and thinkers are name-checked as Johnson and his colleagues search for the ultimate truth. There are as many nods to mainstream culture (think Elvis Presley, Arsenio Hall and David Letterman) as there are to high-brow (e.g., René Magritte, Marcel Duchamp and Jean Baudrillard). And topping it off are the writings of ufologists, including the work of one of the characters, Harold Flint, who is so disappointed by the aliens' tackiness that he decides to stop studying UFOs altogether.

"The big challenge is try and take sometimes abstract ideas and philosophical concepts and bring them to life in the story while not losing any of their complexity," Lain says. Far easier, he found, was conveying the narrator's sense of unease and growing paranoia as he learns more about the aliens. "I've spent far too much of my life in that kind of state, so it comes naturally me to write about that feeling."