Wednesday, March 30, 2016
Marguerite Reed’s Archangel (Arche Press, 2015) introduces a hero not often found at the center of science fiction: a mother, who takes cuddling responsibilities as seriously as she does the fate of her planet.
Of course, Vashti Loren plays many roles besides Mom. She’s also a hunter, a scientist, a tour guide and the widow of a revered early settler. But Reed spotlights her relationship with her toddler, offering a protagonist who’s not only good with a gun but manages to get her kid to daycare on time.
“So many protagonists, whether in science fiction or fantasy or adventure fiction or film are disconnected or separate or isolated from family ties, and I wanted to see if I could write something where people did have family ties, where they were connected, as we so often are in the real world,” Reed told me in her New Books interview.
When Loren discovers that a genetically-enhanced and potentially dangerous human soldier has been illegally smuggled onto the planet, she must decide whether he is friend or foe. The former means she can enlist his aid to protect her world, a lush colony faced with the threat of massive—and potentially destructive—immigration; the latter means she must kill him. Ultimately, like a number of books nominated for this year’s Philip K. Dick Award, Reed takes readers on an adventure that explores what it means to be human.
Archangel was one of six books nominated for this year’s Philip K. Dick Award. It received a special citation on March 25 at Norwescon.
The winner of this year’s award is Apex by Ramez Nam; I hope to have Nam as a guest on the podcast in the coming weeks.
Tuesday, March 15, 2016
PJ Manney’s fast-action novel (R)evolution (47North, 2015) has all the ingredients of a Hollywood thriller: a terrorist attack using nanotechnology, a military-industrial conspiracy, a scientist who augments his brain—plus, of course, romance, betrayal, and rapid-fire plot twists.
The movie-style storytelling comes naturally for Manney, who spent most of her career in Hollywood, developing films and writing for television. “I don’t see myself as a literary stylist or as a great wordsmith. I see myself as a … Hollywood-influenced storyteller,” she told me when we spoke on New Books in Science Fiction.
A first-time novelist, Manney says she was “flabbergasted” when she was nominated for this year’s Philip K. Dick Award. “I ended up melding genres and ignoring people’s advice,” she explains. “It doesn’t really fit neatly into any boxes and people who like boxes have a hard time with it… I thought it was just me and my editor who liked it.”
(R)evolution explores transformative technology—a brain-computer interface that relies on nano-materials to create a prosthetic hippocampus and cortex. Manney’s protagonist, Peter Bernhardt, seeks to use the technology for good—to aid brains destroyed by Alzheimer’s disease—but business and political forces try to grab the science for their own nefarious ends. Eventually, Bernhardt experiments on himself, pursuing super-human capacities to literally outsmart his enemies.
Manney had envisioned (R)evolution as a next-generation e-book: one with active Web links to provide context and background information and a soundtrack that allowed readers to hear the music that helps Bernhardt make connections and solve problems. “I wanted you to be able to play the music so you could actually experience his mental process… I wanted people to really have that sense of having a hacked and jacked brain. If you did have a quirkily wired brain to begin with and this ability to pull from endless amounts of data, what would that feel like?”
Yet while Manney’s imagination rushes headlong into the future, e-book technology moves at a slower pace. The e-book version of (R)evolution has no links or music. But Manney hasn’t given up. She is working furiously on the next installment, (ID)entity. That gives e-book designers a chance to up their game and, I hope, design an e-book format worthy of Peter Bernhardt.
(It’s not too late to sign up for a giveaway of the six books nominated for the 2016 Philip K. Dick Award. Entries will be accepted until midnight Pacific Daylight Time on March 22, 2016.)