Katherine Addison's The Goblin Emperor has earned what might be termed a fantasy Grand Slam: the Locus Award for Best Fantasy Novel and nominations for the Nebula, Hugo and World Fantasy awards.
To make her achievement even more noteworthy, Addison, like Maia, the royal goblin at the heart of the book, is herself a fiction.
The pseudonym was created by author Sarah Monette to satisfy the demands of the publishing industry. As she explains to me in our conversation on New Books in Science Fiction and Fantasy, her real name had become a "deal-breaker" after sales of the four books of her Doctrine of Labyrinths series had fallen short of expectations.
Tor Books was eager to buy her tale of an innocent and virtually forgotten heir who ascends to the throne of the Elflands after the simultaneous deaths of his father and brothers, but they had one condition. "Tor said, 'We really want to take you on. We're very enthusiastic and excited, but we can't do it under your real name. You have to pick a pseudonym.' And I wanted to continue having a publishing career. So I picked a pseudonym."
While the name change might have given Monette a clean slate of sorts, it's clear to me that The Goblin Emperor's success relies largely on her prodigious skills as a storyteller. But Monette modestly speculates that something else might also be at play--that people may also be drawn to an ingredient that is rare in fantasy: idealism.
"So much of fantasy right now has been so influenced by George R.R. Martin--which, hey, that's excellent as it should be--but it does mean that things have been very grim and bleak and pessimistic and cynical," she says. In contrast, The Goblin Emperor "is arguing that doing the right thing will win; that is, if you try your best to be ethical and compassionate, you will come out on top."
There's no question that Maia's insistence on behaving ethically is refreshing. He faces down cronyism, social inequality and racism by hewing to the values of his Goblin mother, which lead him, among other things, to regard his subjects as equals.
"I wish I could say that I believed that worked all the time in the real world, but I think if we don't make up stories where it does work, it's never going to work," Monette says.
In fact, it was the real world that inspired Monette to create an enlightened emperor. “What I was doing was actually was trying to figure out if there was a way out of the French Revolution without the guillotine and Terror and all the really horrific horrific things that happened.” In other words, if Louis XV been more like Maia, could the French achieved liberté, égalité, fraternité without so much bloodshed?
Not only do I find Maia refreshing, but I also find it refreshing that The Goblin Emperor is a stand-alone (this coming from someone who wrote a two-part series). Rest assured, however, that while Monette has no plans to revisit Maia, she remains loyal to the speculative genres.
"All fiction is lies but science fiction, fantasy and horror sort of flag themselves and say 'Hey--not true. This isn't what the real world is like.' ... The combination of the realistic and the openly unreal is to me something that is endlessly fascinating and that I want to do when I write and I enjoy reading when I find it."
Monday, November 9, 2015
Friday, October 23, 2015
Smoking in a No Smoking Zone
Not that long ago, the idea of outdoor "no smoking" zones seemed silly. But when many cities (including New York) banned indoor smoking, smokers began clustering at building entrances, generating tobacco clouds and butt piles. In other words, the indoor bans only moved the problem of second-hand smoke outside. The solution outside many buildings has been to post no smoking signs, like the one above. And while it seems to have forced many smokers to find another perch, or least get a little more exercise before enjoying a puff, the signs clearly don't always work.
Thursday, October 8, 2015
A Tangible Impact on Justice Reform
I've just completed a video to promote a fundraiser for the Red Hook Community Justice Center. Even if you can't make the event, you might enjoy the video. The Justice Center is a fascinating project that's contributing positively to the community and making a tangible impact on efforts to reform the justice system.
Wednesday, October 7, 2015
Jane Lindskold Creates a Consciousness with a Planet-Sized Body in Artemis Invaded
At a time when science fiction is more likely to portray ecosystems collapsing rather than flourishing, Jane Lindskold's Artemis series is an anomaly. Its eponymous planet is not an ecological disaster but rather full of so many wonders that it was once a vacation paradise for a now vanished society.
Of course, like any good science fiction (or fiction, in general, for that matter) Lindskold's Artemis is full of surprises. But Lindskold, who I interviewed on New Books in Science Fiction and Fantasy, takes care not to bludgeon readers with messages about the dangers of science run amok or human interference in nature.
"I thought it was completely possible to tell a story without lecturing people," she says in her New Books interview. "I wanted to put together an exotic and interesting world and let people go adventuring on it with me and if along the way they figured out that ecosystems don't work if they're exploited, great but I'm not going to write lectures."
Artemis is a genuine character in the story, one with an evolving consciousness that communicates regularly with one of the main characters. Lindskold has been frustrated that some reviewers have mistaken Artemis for an artificial intelligence when, in fact, she's a highly complex network made out of various forms of fungi. As Lindskold puts it, "Artemis is a living organism that happens to have a planet-sized body."
Artemis Invaded, published in June, is the second book set on Artemis. The first, Artemis Awakening, came out in 2014. Whether there will be a third remains to be seen, but Lindskold is full of ideas if she gets a green light from the publisher.
"I think a lot about the people on Artemis and what they are doing and would be doing, and I would find it very easy to pick up again. And one thing I've promised myself I would do is if there was a delay between the publication of Book Two and Book Three is that I would write some short stories so that the readership would have something in between."
Follow host Rob Wolf on his blog or on Twitter @RobWolfBooks
Saturday, September 5, 2015
Stop Being Fearful and Try to Help Everyone You Meet
It took me two days to read this note. On the first, I was carried along by the rush hour crowd, and anyone with sense never stops on subway stairs at such a moment. The crowd is unforgiving (because it's composed of individuals like me who are very unforgiving when someone blocks the flow). The next day, however, I was ready with phone in hand. I waited for the surge of people to pass and then paused long enough to take a snapshot. Although I'm posting this under the date when I took the picture, I'm actually writing this several weeks later and can report that while graffiti often lingers in this city for months and years, this little bit of advice was was scrubbed away a couple weeks ago.
Friday, September 4, 2015
Melinda Snodgrass pits science against religion in Edge of Dawn

Answer: Melinda Snodgrass.
The author of the just published Edge of Dawn's first ambition was to sing opera. But after studying opera in Vienna, she came to the conclusion that "I had a nice voice, [but] I didn't have a world-class voice."
She then went to law school and worked for several years as a lawyer. Unfortunately, "I loved the law but I didn't love lawyers," she explains in my interview with her on New Books in Science Fiction and Fantasy.
Her first published books were romance novels, which taught her the "extremely valuable lesson of how to finish what you start. Because that actually is a real problem for people. They'll have brilliant ideas and write the first three chapters and they'll never finish."
Her first science fiction novels, the Circuit Trilogy, drew on her knowledge of the law as she chronicled the adventures of a federal court judge riding circuit in the solar system. She also collaborated with George R.R. Martin to create the shared world series Wild Cards.
It was Martin who encouraged her to write a spec script for Star Trek: The Next Generation. That spec script, inspired by the Dred Scott decision, turned into the episode The Measure of a Man, and a job as story editor for the series.

The trilogy is in large part a battle between science and religion.
"Science is all about doubt. It's about saying, 'is this real and how can I test it?' ... Religion is about the opposite thing entirely. It's about faith and acceptance of it without questioning, and I think that that can lead to very dangerous results and outcomes," Snodgrass says.
The idea for the series came to her New Year's Eve in 1999. "I thought to myself, why on the dawn of the 21st century are people putting more faith in guardian angels and crystal healing power and tarot card readings than they are in medicine and chemistry and science? ... Why are we seemingly going backwards and becoming more superstitious?" she says. "I cooked up this idea about these creatures encouraging us to believe in fairytales and to fear each other and hate each other on the basis of externalities like the color of our skin, or gender, religion all these different things."
Tuesday, September 1, 2015
You Either Think This Poster is Gross or Brilliant
The first thing they tell you when buying a pass to enter the Laugardalslaug swimming pool in Reykjavik is that you must take a shower "without your bathing suit" before entering the pool. And if the verbal message isn't enough, the sign about greets you before entering the locker room.

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